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MICHELLE DEYOUNG has already established herself as one of the most exciting artists of her generation.
She appears frequently with many of the world’s leading orchestras, including the New York Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra, Cleveland Orchestra, San Francisco Symphony, Los Angeles Philharmonic, Minnesota Orchestra, Pittsburgh Symphony Orchestra, The Met Orchestra (in Carnegie Hall), the Met Chamber Ensemble, Vienna Philharmonic, BBC Symphony Orchestra, Royal Philharmonic Orchestra, Philharmonia Orchestra, Orchestre de Paris, Bayerische Staatsoper Orchestra, Berliner Staatskapelle, Sao Paulo Symphony, and the Concertgebouworkest. She has also appeared in the prestigious festivals of Ravinia, Tanglewood, Aspen, Cincinnati, Saito Kinen, Edinburgh, Salzburg, and Lucerne.
The conductors with whom she has worked include Daniel Barenboim, Pierre Boulez, James Conlon, Sir Colin Davis, Stéphane Denève, Christoph von Dohnányi, Gustavo Dudamel, Christoph Eschenbach, Daniele Gatti, Alan Gilbert, Bernard Haitink, Manfred Honeck, James Levine, Lorin Maazel, Zubin Mehta, Kent Nagano, Seiji Ozawa, Antonio Pappano, Andre Previn, David Robertson, Donald Runnicles, Esa-Pekka Salonen, Mariss Jansons, and Michael Tilson Thomas.
Ms. DeYoung has also appeared with many of the finest opera houses of the world including the Metropolitan Opera, the Lyric Opera of Chicago, the Houston Grand Opera, the Seattle Opera, the Glimmerglass Opera, La Scala, the Bayreuth Festival, Berliner Staatsoper, Hamburg State Opera, Opera National de Paris, Thèâtre du Châtelet, Opéra de Nice, Theater Basel, and the Tokyo Opera. Her many roles include the title roles in Samson et Dahlila andf The Rape of Lucrectia, Fricka, Sieglinde and Waltraute in The Ring Cycle; Kundry in Parsifal, Venus in Tannhäuser, Brangäne in Tristan und Isolde, Eboli in Don Carlos, Amneris in Aida, Marguerite in Le Damnation de Faust, Judith in Bluebeard’s Castle, Dido in Les Troyens, Gertrude in Hamlet, and Jocaste in Oedipus Rex. She also created the role of the Shaman in Tan Dun’s The First Emperor at the Metropolitan Opera.
In recital, Ms. DeYoung has been presented by the University of Chicago Presents series, the Ravinia Festival, Weill Recital Hall, Alice Tully Hall, San Francisco Symphony’s Great Performances series, Cal Performances in Berkeley, SUNY Purchase, Calvin College, the Pittsburgh Symphony, Roy Thomson Hall, the Thèâtre du Châtelet, the Gulbenkian Foundation (Lisbon) the Edinburgh Festival, London’s Wigmore Hall and Brussels’s La Monnaie.
Ms. DeYoung’s recording of Kindertotenlieder and Mahler’s Symphony No. 3 with Michael Tilson Thomas and the San Francisco Symphony (SFS Media) was awarded the 2003 Grammy Award for Best Classical Album. She has also been awarded the 2001 Grammy Awards for Best Classical Album and Best Opera Recording for Les Troyens with Sir Colin Davis and the London Symphony Orchestra (LSO Live). Her growing discography also includes recordings of Mahler Symphony No. 3 with the Chicago Symphony Orchestra and Bernard Haitink (CSO Resound) and with the Pittsburgh Symphony and Manfred Honeck (PID); Bernstein’s Symphony No. 1, ‘Jeremiah’ with the BBC Symphony Orchestra and Leonard Slatkin (Chandos), Das Klagende Lied with the San Francisco Symphony and Michael Tilson Thomas (BMG),and Das Lied von der Erde with the Minnesota Orchestra (Reference Recordings). Her first solo disc was released on the EMI label.
This season, Ms. DeYoung returns to Basel as Ortrud in Lohengrin and appears in concert with the Montpellier Opera, National Symphony Orchestra, Atlanta Symphony Orchestra, Orchestre Radio France, and the NDR Symphony Orchestra in Hamburg.