La Phil Vice President of Artistic Planning
CHAD SMITH, Chief Operating Officer for the Los Angeles Philharmonic Association, is responsible for the artistic oversight and coordination of the orchestra’s programming, as well as the organization’s marketing, communications and public relations, production, orchestra operations, media, and learning initiatives. Smith’s tenure with the orchestra has been defined by groundbreaking artistic initiatives, working closely with Music Directors Esa-Pekka Salonen and now Gustavo Dudamel, including the launch of new orchestral series, major multi-disciplinary projects, dozens of festivals, and an unparalleled commitment to composers and the music of today. He has also overseen the launch of many of the organization’s defining learning programs, including YOLA, a program which has provided daily after-school music training to thousands of children in several of L.A.’s underserved communities.
In March of 2018, Smith was named the next Artistic Director of the Ojai Music Festival, where his first planned festival will be in 2020. In his role as Artistic Director, he will be responsible for the selection of the annual festival’s Music Director, as well as for envisioning and overseeing the artistic profile of the organization.
Smith began his career in 2000 at the New World Symphony, working closely with conductor Michael Tilson Thomas. He first joined the LA Phil in 2012, when he was responsible for planning the orchestra’s Green Umbrella new music series, as well as its classical programming at the Hollywood Bowl. After briefly serving as the New York Philharmonic’s head artistic planner, in 2006 he returned to the LA Phil in the expanded role of Vice President of Artistic Planning, a position he held until being named COO in 2015.
A trustee of the New England Conservatory, he also serves on the advisory board of the Music Academy of the West and is a member of the Executive Committee for the Avery Fisher Artist Program. A native of Gettysburg, Pennsylvania, he earned a B.A. in European history from Tufts University, as well as B.M. and M.M. degrees in vocal performance from the New England Conservatory.