About this Piece

This newly commissioned work for piano, written for Yunchan Lim, delves into the profound interplay of contrasting forces. It unfolds in two major sections, Élégie and Rudepoema, hinting at the contrasting moods that will be explored.

Élégie, evocative of a mournful song or lament, may initially present itself with hushed, introspective melodies and delicate textures. Yet, within this stillness, seeds of energy may begin to stir, hinting at the Rudepoema to come.

Rudepoema, a term suggesting a raw, unrefined poem, might unleash a more forceful, dynamic energy. This section may feature driving rhythms, bold harmonies, and perhaps even moments of explosive intensity. However, echoes of the Élégie may linger, creating a dialogue between the contrasting elements.

Crucially, these two sections are not rigidly defined. They intertwine and evolve organically throughout the piece. Gentle passages may erupt into moments of raw power, while moments of intensity may subside into introspective contemplation. This dynamic interplay creates a captivating tapestry of sounds, inviting the listener on a journey through a richly nuanced sonic landscape.

This piece, in its exploration of contrasting forces, offers a unique counterpoint to the intellectual and intricate architecture of Bach’s Goldberg Variations. While Bach’s masterpiece demonstrates the pinnacle of order and meticulous craftsmanship, this new work embraces a more fluid, organic approach, celebrating the beauty of both stillness and movement, gentleness and rawness. —Hanurij Lee