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Jonathan Lemalu

About this Artist

JONATHAN LEMALU, a New Zealand-born Samoan, is already at the very forefront of today’s young generation of singers. He graduated from a Postgraduate Diploma Course in Advanced Performance on the London Royal Schools Opera Course at the Royal College of Music and was awarded the prestigious Tagore Gold Medal. He is a joint winner of the 2002 Kathleen Ferrier award and the recipient of the 2002 Royal Philharmonic Society’s Award for Young Artist of the Year.

Jonathan’s debut recital disc was awarded the Gramophone Magazine Debut Artist of the Year award. He subsequently released his first solo recording, with the New Zealand Symphony Orchestra, and then a recital disc with Malcolm Martineau, featuring the Belcea Quartet.

He has performed at the Tanglewood Festival with the Boston Symphony Orchestra (Mozart’s Requiem) and at the Ravinia Festival with the Chicago Symphony Orchestra (Beethoven’s Symphony No. 9) under James Conlon. At the Edinburgh Festival he has appeared in Les Troyens under Donald Runnicles and Maria Stuarda and Jeptha under Charles Mackerras. At the BBC Proms he has sung a program of operatic arias with the Hallé Orchestra and Mahler’s Das Knaben Wunderhorn with the New Zealand Symphony Orchestra. Other concert engagements include Mozart’s Requiem with the Rotterdam Philharmonic Orchestra, Mendelssohn’s Elijah with the Scottish Chamber Orchestra, The Flowering Tree with the Tokyo Symphony Orchestra, The Damnation of Faust with the Toronto Symphony Orchestra under Charles Dutoit, the Chicago Symphony Orchestra, the London Symphony Orchestra under Sir Colin Davis and with the Berlin Philharmonic Orchestra under Dutoit, Elijah with the Netherlands Philharmonic Orchestra, Mozart arias with the Salzburg Camerata, Handel’s Messiah with the New York Philharmonic, Peter Grimes with the London Symphony Orchestra under Sir Colin Davis in London and New York, the world premiere of Harbison’s Requiem with the Boston Symphony Orchestra under Bernard Haitink in Boston and New York, Orlando Paladino with the Berlin Philharmonic Orchestra, the St. Matthew Passion with the Orquesta Nacional de España, Rachmaninoff’s The Bells with the Royal Scottish National Orchestra, Mozart’s Requiem with the BBC Symphony Orchestra and performances of Messiah in Brisbane and Melbourne.

Equally at home on the recital platform, he has given recitals throughout Europe and North America, taking him to Cologne, Athens, Birmingham, Amsterdam, Salzburg, Brussels, Baden-Baden, Vienna, Montreal, Vancouver, Atlanta, San Francisco, Washington, New York’s Carnegie Hall, London’s Wigmore Hall, and the Munich and Edinburgh Festivals.

His operatic engagements in the U.K. have included Figaro (Le nozze di Figaro) and Don Basilio (The Barber of Seville) for English National Opera, Papageno (The Magic Flute) for the Glyndebourne Festival and Zoroastro (Orlando) and Colline (La bohème) at the Royal Opera House, Covent Garden. In Europe, he has sung the title roles in Saul and Le nozze di Figaro, Argante (Rinaldo) and Leporello (Don Giovanni) for the Bayerische Staatsoper, Leporello for Hamburg Opera, Rodomonte (Orlando Palladino) and Papageno for the Theater an der Wien, Bottom for the Opera de Lyon and in Bari and Rocco (Fidelio) under Gergiev at the Gergiev Festival in Rotterdam. He also recently sang his first Porgy for the Styriarte Festival with Harnoncourt. For Opera Australia he has sung Leporello (Don Giovanni) and Mozart’s Figaro. In the United States, he made his debuts for the Metropolitan Opera Company as Masetto (Don Giovanni), for the Lyric Opera of Chicago as Papageno, the title role in Le nozze di Figaro for the Cincinnati Opera and Queegueg in Jake Heggie’s world premiere based on Moby-Dick for Dallas Opera.

His future operatic engagements include Collatinus in The Rape of Lucretia for the Theater an der Wien, Gobrias in Handel’s Belshazzar for the Théâtre du Capitole de Toulouse, John Adams’ El Niño and revivals of Heggie’s Moby-Dick for South Australia Opera, San Diego Opera, and San Francisco Opera.