About this Artist
Hailed by the New York Times for his “robust singing” and Opera News for his “exquisite vocal beauty,” Grammy Award winning Canadian baritone Elliot Madore has established himself as an international artist in demand at the leading opera houses and orchestras of the world. The 2021 – 2022 season sees Mr. Madore’s house debut in the world premiere of Giorgio Battistelli’s new opera Julius Caesar with Teatro dell’Opera di Roma, directed by Robert Carsen and conducted by Daniele Gatti. Mr. Madore will also make his role debut as Dr. Falke in Die Fledermaus with the Sieji Ozawa Music Academy in Japan. Orchestral work includes Carmina Burana with Santa Cruz Symphony, conducted by music director Daniel Stewart. Mr. Madore will also join the Cincinnati Conservatory of Music faculty this season, in a newly created position as a performing Associate Professor of Voice.
The 2020 – 2021 season was set to see Mr. Madore’s scheduled return to The Metropolitan Opera to sing Mercutio in the Bartlet Sher production of Roméo et Juliette. Mr. Madore was also scheduled to sing the role of Franz Wolff-Metternich in the world premiere of La beauté du monde at Opéra de Montreal, and was scheduled to return to both Opernhaus Zürich and Manitoba Opera to sing Anthony Hope in Sweeney Todd. Scheduled orchestral engagements include his debut with the London Symphony Orchestra singing Carmina Burana, conducted by Gianandrea Noseda, Ramón in Girls of the Golden West with the Los Angeles Philharmonic, and Vaughn Williams’ Sea Symphony with the ORF Radio Symphonie Orchester Wien. Mr. Madore also appears in recital at Koerner Hall at the Royal Conservatory of Music in Toronto.
Highlights of previous seasons at the Metropolitan Opera include performances of Mercutio in a new production of Roméo et Juliette which was broadcast live in HD, Figaro in The Barber of Seville, Schaunard in La bohème, as Lysander in Jeremy Sam’s Baroque pasticcio The Enchanted Island, and Novice’s Friend in Billy Budd. Mr. Madore made his European operatic debut at the Glyndebourne Festival singing Ramiro in L’heure espagnole and Le chat and L’horloge comtoise in a new production of L’enfant et les sortilèges, and returned to the company later to sing the title role in Don Giovanni. He has also been seen in a return to Dutch National Opera for the European debut of John Adams’ Girls of the Golden West as Ramón, in his role debut as Figaro in Manitoba Opera’s production of Il barbiere di Siviglia, as the title role in Don Giovanni with Opera Philadelphia and Florida Grand Opera, Opera Theatre of Saint Louis, and with the Tanglewood Festival, and as Harlekin in Ariadne auf Naxos with the Bayerische Staatsoper, Théâtre des Champs-Elysées, and with the Tanglewood Festival. Additional roles include Anthony in Sweeney Todd and Ramón in the world premiere of Girls of the Golden West with San Francisco Opera, Anthony Hope in Sweeney Todd and Germano in La scala di seta with Opernhaus Zürich, Mercutio in Roméo et Juliettewith Santa Fe Opera, his Salzburg Festival debut as the Japanese Envoy in concert performances of Stravinsky’s Le rossignol, Belcore in L’elisir d’amore with Kansas City Opera, and his Dutch National Opera debut as Prince Hérisson de Porc-Epic in Chabrier’s L’étoile which was video recorded.
Additional highlights include his signature role of Pelléas in Pelléas et Melisande with the Bayerische Staatsoper, the Cleveland Orchestra with music director Franz Welser-Möst conducting Yuval Sharon’s production, the Sydney Symphony Orchestra under Charles Dutoit, Opéra-Théâtre de Limoges, Bremen Kammerphilharmonie, and with the Croatian National Opera in Stéphane Braunschweig’s production. As a featured member of the ensemble at Opernhaus Zürich, roles included Valentin in a new production of Faust, Guglielmo in Così fan tutte, Schaunard in La bohème, Andrei in a new production of Peter Eötvös’s Three Sisters, Silvio in Pagliacci, Silvano in Un ballo in maschera, and Harlekin in Ariadne auf Naxos under Fabio Luisi.
Orchestral highlights include his debut with the Berlin Philharmonic as Ramiro in L’heure espagnole and Le chat and L’horloge comtoise in of L’enfant et les sortilèges, Bernstein’s Songfest with the Tanglewood Festival, his debut at the Kennedy Center for the Performing Arts singing Carmina Burana with the National Symphony Orchestra conducted by music director Gianandrea Noseda, Carmina Burana with the Baltimore Symphony Orchestra conducted by Marin Alsop and with the Houston Symphony Orchestra conducted by Andrés Orozco-Estrada. Further highlights include the role of Emile de Becque in South Pacific with Cleveland Orchestra, a solo concert with the Edmonton Symphony, L’heure espagnole and L’enfant et les sortilèges with Charles Dutoit and Orchestre de la Suisse Romande, as Adario in Rameau’s Les Indes galantes marking the opening of the new Philharmonie Hall in Paris with Les Arts Florissants, and his debut with the Los Angeles Philharmonic singing selections from Die Zauberflöte conducted by Gustavo Dudamel. Mr. Madore has also sung Carmina Burana with the Cleveland Orchestra, Colorado Symphony, Kalamazoo Bach Festival, and the Kitchener-Waterloo Symphony
On the recital stage, Mr. Madore has appeared at Carnegie Hall as part of Marilyn Horne’s The Song Continues series, as well as with Cleveland Art Song Festival, and Music Toronto, which was broadcast on the Canadian Broadcasting Corporation. His Canadian recital debut took place at the National Arts Centre in Canada which was recorded and broadcast on the CBC Radio Two’s "Next! Canada's Music Future" Series.
Mr. Madore was part of the Grammy Award recording from the Saito Kinen Festival as Ramiro in L’heure espagnole and Le chat and L’horloge comtoise in L’enfant et les sortilèges, conducted by Seiji Ozawa.
Honors and awards include being named a winner of the Metropolitan Opera National Council Auditions, a recipient of the 2010 George London Award from the George London Foundation, a winner of the Palm Beach Vocal Competition, and a recipient of the ARIAS Emerging Young Artist Award from Opera Canada. A graduate of the Curtis Institute of Music, Mr. Madore currently resides duly in Toronto, Canada and Zürich, Switzerland.