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About this Piece

In his 1997 Toccata on the Chorale “Allein Gott in der Höh sei Ehr,” Aivars Kalējs adapts the toccata style of the French organ symphonists, with perpetually moving filigree arpeggios in the hands while a melody is played on the pedals.

In his 1997 Toccata on the Chorale “Allein Gott in der Höh sei Ehr,” Aivars Kalējs adapts the toccata style of the French organ symphonists, with perpetually moving filigree arpeggios in the hands while a melody is played on the pedals.